Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

NTN inspires through God of Women

NTN inspires through God of Women

“God of Women,” a compelling play created by Sifiso Nyathi and directed by Keamogetsi Joseph Molapong, was performed at the National Theatre of Namibia recently.

The production delves into themes of identity, culture and women’s resilience. 

More than just a play, “God of Women” functions as an interactive classroom, a societal mirror and a celebration of African storytelling. 

More than 2 000 Grade 9 pupils from Windhoek, Okahandja and Rehoboth participated enthusiastically. Their involvement underscored the notion that theatre extends beyond mere art; it is a medium for education, empowerment and connection, according to the play’s organisers. Molapong reflected on his journey: “This was the play I presented while finishing my degree at the University of Namibia; it was my graduation performance. You might compare it to a literature review in research.”  He stressed the necessity for actors to fully comprehend the text, emphasising that given the literary nature of the play, they must skillfully transform the written content into engaging performances that resonate with audiences, including lerarners.

“It’ s about having actors convey the text through their voices and emotions, effectively sharing that message with the audience,” he stated. Molapong highlighted that Namibians possess rich stories to tell and experiences to share — narratives that represent both individual and communal journeys. 

“In the case of ‘God of Women,’ the play exemplifies this storytelling tradition. Although the title may seem ambiguous, the core of the production is rooted in the voices of the women in the spotlight,” the director added.

Through this play, these women share profoundly personal stories of struggle, resilience and survival. This authenticity and emotional intensity render the play both striking and exceptional. 

By engaging these women’s narratives, audiences gain rare and poignant insights into the lived experiences of many Namibians, specifically for educational purposes directed at learners.

The cast includes seasoned performers such as Christiaan Appolus and Toucy Tjijimbo, alongside talents like Mervin Classen and Kuzajatu Maamberua. “God of Women” is a required text for Grade 9s, and is acknowledged as an important literary work at the tertiary level, where it is examined in greater detail for its themes, cultural relevance and literary value.

-psiririka@nepc.com.na