In the realm of music, transitions often mark profound moments of self-discovery and growth, as artists navigate the shifting tides of creative expression and personal conviction.
For Naomi Muyunda , known affectionately as Jael Promise MK, her journey from the secular world to the realm of gospel music has been a testament to faith, resilience, and unwavering commitment.
Reflecting on her six-year journey in the gospel music industry, Promise shares her profound gratitude for the transformative power of divine grace.
Promise transition to gospel music was not without its challenges. As she navigated the complexities of leaving behind the familiar comforts of the secular world, she encountered resistance and doubt from both within and outside her community.
Yet, fuelled by her unwavering faith and conviction, she remained steadfast in her commitment to sharing the transformative message of gospel music with the world.
In a world where fame often reigns supreme, Promise has resurfaced after a six-year hiatus, transitioning from an Afro-pop artist to a gospel artist. VIBEZ! had an opportunity to catch up with her and delve into her journey since her disappearance from the music scene.
Promise opened up about her spiritual awakening and the pivotal moment that led her to shift her focus from mainstream music to gospel.
Reflecting on her transition, she emphasised that her decision was never driven by a quest for fame.
“My transition was never based on fame. It is about my personal relationship with Christ,” she said.
In the face of scepticism and mockery from some quarters, she remained steadfast in her conviction, drawing strength from her faith and the unwavering support of her loyal fans.
“When you transition from the secular world to the gospel, of course, you are going to have to lose a lot. But by the Grace of The Almighty, here I am, six years later and growing stronger,” she said.
Despite her commitment and the quality of her music, she highlighted the stark disparities in the support afforded to gospel music in Namibia.
“Gospel singers do not have platforms that push gospel music here. Radio stations normally push gospel only on Sundays, which is not enough for their songs to be noticed nationwide.”
She added that gospel music will grow better if given a platform to prove themselves, just like how Kwaito and Amapiano have been given a chance.
“They need good platforms for their music to be played. I believe a lot of people out there need a message of healing and hope, and we do have that in our music. We just need platforms.”
“Since my transition, I have only released one single, titled ‘Yahweh’. I’m busy working on a project. You know we can’t just write music without the inspiration of the Holy Spirit. I’m not going to reveal dates, but I’m trusting God that by his grace and if he allows, I should release an EP this year,” she said.
She added that she has fellow gospel artists that she is working with, and together they are working towards changing the narrative of gospel music not being popular in Namibia. They push each other’s work and aim to reach the masses, just like what they are doing with Nam Gospel United.
-priscillamukokobi@gmail.com