Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

INDUSTRY LOOP: The role of a manager

Home National INDUSTRY LOOP: The role of a manager
INDUSTRY LOOP: The role of a manager

A lot has been said about the subject matter of late and judging from the responses on social…one can see that artists still do not fully understand the manager/artist relationship. Especially the commercial and remuneration aspect of the relationship. 

 For Namibian artists…a manager is supposed to baby them at every step. For Namibian artists…a manager is supposed to spend hundreds of thousands of dollars on their brand without expecting anything in return. For Namibian artists…a manager is supposed to do all the work while they sit back and chill. For Namibian artists…a manager is supposed to be their “yes” man, cheerleader and hype man all at the same time. 

For Namibian artists…a manager is supposed to baby them at every step, spend hundreds of thousands of dollars on their brand AND do all the work FOR FREE?

This is why I do not even entertain the thought of managing artists in this country. I’ve been approached hundreds of times and the answer remains the same every time…a big fat “NAH”! I’ll never do it. Because artists refuse to understand what a manager is supposed to be. I’m saying refuse because honestly, with the internet being there for everyone…information on how things work is honestly just a click away! 

 A manager is your administrative and official arm of your brand. A manager needs to make sure that your marketing, PR, commercial and legal affairs are solid. A manager will use their connections and know-how accumulated from years of experience to get you onto the biggest platforms. A manager will assemble a team for your brand. However, artists need to understand that a manager needs to be remunerated. 

It’s either you agree on a fixed remuneration package or we agree on a commission-based package. Either way…you will have to pay a manager for their work. Because it’s work, no manager takes on that type of responsibility because they like you. F**k a like! It’s a lot of work that is time-consuming. 

 So before you approach someone to manage your music…ask yourself the following questions: 

1. Do I understand the exact role of a manager?

2. Do I have music that is worth managing?

3. Will I be able to compensate this manager for their work? 

If you have a “no” for any of these questions…bruv, los net kao. 

 

Until the next Loop, we say #GMTM          

Need an MC? Contact NSK for a quote at naobebsekind@gmail.com 

@naobebsekind (Twitter)